NAYOUNG HWANG 황나영
국민대학교 예술대학 미술학 박사 졸업
원광대학교 미술대학 서양화과 및 동대학원 졸업
개인전
2022 19회 개인전 RE: LYNN Fine art gallery, SEOUL
서울, 전주, 익산, 부산, 중국, 말레이시아, 홍콩 등
단체전 300여회, 수상 20여회
2018 대구아트페어, 엑스코 ,대구
KIAF / 코엑스 전시관
부산아트페어 / Bexco
핑크아트페어 / IntreContinental Seoul COEX
2017 심천 아트페어 / Shenzhen Lafonte International Hotel
제 62회 창작미술협회전 / 예술의 전당 한가람미술관
나우아트페스티벌 / 전북예술회관
제5회 우진청년작가전 / 우진문화공간
다므기전-장애인비장애인문화예술한마당 / 광주비엔날레전시관
홍콩 어포더블 아트페어 (Hongkong Affordable Art Fair)
인터시티전 / 익산예술의전당, 김해문화의전당 윤슬미술관
Being Harmonized / LYNN Fine Art Gallery
작품소장-군산의료원, 원광대학교 박물관, 익산시청, 서동건설, 국회의사당, 청도감와인(주)
현_원광대학교 조형예술디자인대학 교수, 창작미술협회, 열림전, 노령회, 우진문화청년작가회
Re: A new order_ rediscovered vitality
Lee Jiyoung (Art History, Kyushu University, Japan)
What is <Re:> that Hwang Na-young discusses in this exhibition? It would be a story about positive vitality in which something or someone, everything that is the subject, is regenerated and has new values and concepts. 'Pleat' and 'hole' have been founded as traces of multiple existences in Hwang Na-young's works. In this exhibition, the artist selects a daily object called a “shopping bag” to show the situation of dismantling and reconstruction until the original thing loses its functional meaning on the canvas. Then, it acquires the value newly assigned by the artist, stimulating our universal sympathy.
Step 1. Relationship: becoming familiar, drawing & accept
As a process of dismantling and rebuilding, first, it shows the process of becoming friendly with a shopping bag. The artist dismantled many shopping bags to “know” the object of the shopping bag. The artist recognized that even if the material, pattern, and shape were different, they were all uniformly developing rectangular parallelepiped planer figures after dismantling. And yet, she did not overlook the process of dismantling, sometimes destroying, and accepting the unique identity of the object that breathes other vitality. The artist puts the object on the board of reconstruction called canvas and sets the point of time when it becomes art a little later. Firstly, experiments entirely on the principle of accidental drawing and distribution of power. For example, one side of a shopping bag was cut and drawn with a knife, maintaining traces of acrylic paint leaking through the duck's cracks and its unique characteristics.
Step 2. Re: A new order, re-established solidity
‘Regenerated shopping bag’ obtained by the artist’s formative language is no longer used to lock or shift the consumer values. Instead, the artist gives a solid castle that never collapses without deviating from the new order_ stable sphere pattern and electrostatic material acrylic paint_ The canvas repeats order and transformation on the stage and plays a new game. This object which acquired 'true freedom' that can be transformed into a new form, even serves as a feast that reveals various sculptural languages such as scratching, stamping, sometimes locking in plaster, and filling and ripping it off hardboard paper.
The artist's selection and re-creation process is widely discussed within the 'reality and creation' category. The works of 'shopping bag' and 'beaker' demonstrated by the artist in this exhibition were simplified or coded. Still, it is an ontological subject created by longing for a more expanded space. It is a paradoxical and ideological collage that creates "infinite value" in various molding languages in extended time and space, away from the "limited value" surrounding functional and consumption values, and a positive variation that embraces its own identity and injects new vitality. The artist hopes that her perspective and efforts to communicate more personal and relational communication can be fully conveyed, even if it is not perfect communication between the objects.
